The history of the creation of the magazine “Funny Pictures”.
Before we begin to study the material from the perspective we have chosen, let us dwell on the main stages in the history of this publication and its general characteristics. For an adequate analysis of the lexical and stylistic features of the magazine, it is also necessary to take into account the social and political aspect. Understanding the conditions in which the magazine existed, and what historical events influenced by it, one can more accurately imagine the features of the language game of this edition.
The children's humor magazine "Veselye Kartinki" began publishing in 1956 in the wake of the Khrushchev Thaw. The idea of its appearance belonged to Ivan Semenov, a popular cartoonist for the Krokodil newspaper. Initially, the magazine was conceived by him as educational and educational. Ivan Semenov became the first editor of the magazine and attracted his colleagues - famous artists, academicians - Aminadav-Kanevsky and Alexei Laptev to the work.
The name of the magazine was chosen based on the fact that the young children for whom it was intended willingly look at funny and cheerful pictures accompanied by short, witty inscriptions. But very soon poems, stories, counting rhymes, and riddles appeared in “Funny Pictures.” It became not only a children's magazine, but, no less important, a “family” magazine.
The authorship of “Funny Pictures” could be the envy of any domestic publication. The best Soviet writers and artists worked there: Korney Chukovsky, Agnia Barto, Sergei Mikhalkov, Evgeniy Vedernikov, Vladimir Suteev and the famous cartoonist Konstantin Rotov.
The first issue of the magazine was published in September 1956. The magazine immediately became popular, becoming one of the scarce publications; it was very difficult to subscribe to it. When print restrictions were lifted in the mid-70s, the circulation of “Funny Pictures” began to increase rapidly and in the 80s had already reached 9,150,000 copies.
In 1972, “Funny Pictures” was headed by Nina Ivanova, who still works in the magazine as a literary editor today.
In 1976, the artist Ruben Varshamov became the editor-in-chief of Funny Pictures. Along with him came new authors, nonconformist artists Viktor Pivovarov, Valery Dmitryuk, Ilya Kabakov, Eduard Gorokhovsky, Alexander Mitta, caricaturists of the new generation Sergei Tyunin and Oleg Tesler. They brought a desire for freedom into the life of the editorial office. What was impossible in serious, “adult” publications turned out to be embodied in the pages of “Funny Pictures”.
It is interesting that “Funny Pictures” was the only publication in the USSR that was never censored. Perhaps it was the forgetfulness of officials, or maybe they simply decided that comics about the adventures of the Merry Men simply could not contain dangerous information.
"Funny Pictures" was also the only printed edition in the USSR, on whose pages the sad notices about the change of leaders, obligatory for the entire press, were never published Soviet state. When L.I. died Brezhnev, a directive was sent down from above - to publish his portrait in a mourning frame on the cover of all publications. The magazine's editors had to prove to higher authorities for quite some time that this would look extremely inappropriate and awkward next to the name of the magazine.
In 1979, Viktor Pivovarov created the modern logo for the magazine. “Funny Pictures” were eagerly published not only by well-known, but also by beginning authors. In those years it was a manifestation of courage. This is how the names of Eduard Uspensky, Andrei Usachev, Evgeniy Milutka and others were discovered. In the early 90s, the editorial office of the magazine “Veselye Kartinki” was transformed into a Publishing House. The magazine itself is published monthly to this day.
The concept of the magazine has remained unchanged. The magazine is designed for children from 4 to 8 years old, but in fact the audience of the magazine is the whole family, since parents read to young children, and older children need the approval of adults whether the task from the magazine was completed well, or whether the riddle was guessed correctly. It's connected with age characteristics audience. It is known that children have increased speech talent, which gradually decreases by the fifth grade of school. It manifests itself in memory for words and grammatical structures, in sensitivity to the sound and meaning of words by Veraks N.E. Individual characteristics cognitive development children preschool age. - M., 2003. P.23. Therefore, the language in works for children should be especially rich, remain alive with all its literary quality and at the same time be accessible.
The creators of “Funny Pictures” take these features into account. So, invariably, in every issue of “Funny Pictures” there is another “comic book-fairy tale” about the adventures of “funny people”. Works for children often seem very simple, almost primitive, but this simplicity is the result of a very complex interaction artistic techniques and funds. Here, for example, is “A Lesson in Fantasy” by Yuri Druzhkov: “A wizard without imagination is like a bicycle without wheels, a flashlight without a battery, a boy without scratches and bruises, a moon without a sky, a fish without water, a cucumber without pimples, a mouse without a tail. That's what an important thing is - fantasy... In this lesson, my dear future wizards, you will tell me a variety of fables, who will come up with which one... I will give you marks. For every truthful word in the fantasy lesson, the mark will be reduced. Whoever doesn’t tell the story will get one.” Funny Pictures, No. 8, 1974. From 6..
As we see, the author resorts to comparison, trying to show what a wizard is without imagination: the incomprehensible word “wizard” and the even more incomprehensible “fantasy” are explained through recognizable, visual analogies: “a boy without scratches or bruises, a moon without a sky, a fish without water ", a cucumber without pimples, a mouse without a tail." At the same time, young readers are drawn into the game, thereby once again explaining what fantasy is - something that does not exist in reality, something that is not true (“if he doesn’t add up a fable, he will get one”). The game is also recognizable, with a marking system, like in school. This short fragment combines cognitive, educational and recreational functions.
Humor is very important for young children, and the authors of “Funny Pictures” do not forget about this, and, taking into account the age of their addressee, they use humor on the pages of the magazine, which is manifested to a greater extent in various forms of language play.
The magazine also takes into account the fact that young children get tired quickly and need frequent changes of activities - on each page there is a new task, a new game, poem, story, etc. “Children’s attention is unstable (directly proportional to age); To attract him to the plot, to a separate material and to hold him during reading and comprehension, fairly strong stimuli are needed. These are color, illustration, layout, contrast, rhythm of composition elements, the presence of additional incentives (inserts, inserts, prizes, crafts). The multi-coloredness of the magazine, bright spots of color attract attention, relieve tension in the optic nerves, and are an example of value orientation: the more relevant the material, the brighter the spectrum” Frolova S.V. Russian periodicals for children: review and classification // Primary school. 2003. No. 1. P.111..
The materials presented in the magazine are diverse in genre composition. The pages of the magazine contain poems by Samuil Marshak, Vladimir Lapin, Vladimir Stepanov, short stories of modern children's authors and "classics" periodicals, puzzles, riddles, drawings, jokes, games, labyrinths, interesting tasks for kids and much more.
The history of the creation of the magazine "Murzilka".
The magazine "Murzilka" existed for almost the entire Soviet period of the country's history. But its prehistory began much earlier: back in the 19th century. At this time, the first comics appeared on the back pages of American magazines. One of those who supported this innovation was the artist Palmer Cox. He came up with heroes - tiny fairy-tale people - and began making a series of drawings dedicated to their adventures. The drawings caught the eye of publishers from St. Petersburg - the M.O. Partnership. Wolf, who decided to print them. A new text was commissioned from children's writer Anna Khvolson. As a result, in 1887, the fairy tale “The Kingdom of Babies. The Adventures of Murzilka and the Forest Men." For many years, a little man, Murzilka, traveled through the pages of the magazine. His popularity grew. Soon, the publishers of the “Sincere Word” first opened a special section “Murzilka Mail”, and since 1908 an entire appendix - “Murzilka Magazine”.
The success of the humorous hero may have determined the name of the Soviet children's magazine. However, it was impossible to leave Murzilka as a fairy-tale character in the Soviet publication. “In those days, the gloomy opponents of the anthropomorphism of fairy tales argued that even without fairy tales a child comprehends the world with great difficulty. All children's literature was placed under suspicion. The only thing that children’s writers were allowed to do was create some optional additions to textbooks.” Shvarts E. Life of a Storyteller. M., 1991. P.20. Therefore, through the efforts of the editors of the magazine, Murzilka was remade into a mongrel. “Murzilka, who underwent the transformation, firstly, became a creature from real life, secondly, it fit the definition of nature - an animal after all. Thirdly, he appeared not as some kind of aristocrat from dogs, but as a worker-peasant dog, the fourth puppy in the family of his mother Zhuchka.” “Murzilka” is 80! Pages of history. M., 2005. P.15.
For some time, the magazine remained without a hero, but in 1937, the artist Aminadav Kanevsky came up with and drew Murzilka as someone who at one time was followed by almost 6 million children at once - yellow, fluffy, in a red scarf and beret, with a camera over his shoulder. Like the previous, pre-revolutionary one, the new Murzilka was created for adventure. The authors of “Murzilka” were A. Gaidar, S. Marshak, K. Chukovsky, A. Barto, E. Blaginina, L. Voronkova.
“As if repeating the fate of the “surprisingly nimble dog,” the magazine began to change owners.” “Murzilka” is 80! Pages of history. M., 2005. P.18. In 1932 the magazine moved from Rabochaya Gazeta to Komsomolskaya Pravda" In 1934 it was already published by the Children's Literature Publishing House, and from 1959 until 1990 it was “the magazine of the Komsomol Central Committee and the Central Council of the All-Union Pioneer Organization named after. V.I. Lenin for the Octobrists.” Since the beginning of the 90s. "Murzilka" - magazine of JSC "Young Guard". From 1997 to the present - founder and publisher of the magazine - CJSC "Editing Office of the Magazine" Murzilka ".
"Murzilka" is a children's magazine with the longest history. Several generations grew up on works famous writers. IN Soviet times it was difficult to find parents who did not subscribe to this publication for their children.
The first issue of the magazine was published in May 1924. It was intended for children from 6 to 12 years old. But the fascinating publication captivated even adults, who happily re-read the pages with their children.
On the pages of the magazine one could read the works of the best children's authors. Among them are Agnia Barto, Korney Chukovsky, Samuil Marshak.
Each issue was informative and instructive. Sometimes very serious topics were revealed, such as “Conquest of Space” and “Construction of the Dnieper Hydroelectric Power Station.”
Bright pictures and fascinating stories instilled in children the most best qualities, helped to explore the world and develop.
"Murzilka" is a magazine that is listed in the Guinness Book of Records due to the longest period of publication.
The main purpose of creating the magazine was an educational mission.
Children learn more effectively with the help of engaging literature. The modern children's magazine "Murzilka" is an excellent opportunity to explore the world and study the school curriculum in game form. In addition, children can get acquainted with the work of popular authors and young aspiring writers.
All information is presented in an interesting and fun way, so children enjoy re-reading the pages of each publication and look forward to the release of the next issue.
The fairy-tale creature yellow and fluffy Murzilka appeared in 1937 with the help of the artist Aminadav Moiseevich Kanevsky, and you can still meet him in every issue. It takes children into the world of adventures and incredible stories, teaches, amuses, and makes them think.
"Murzilka" is a magazine that helps the development and education of children. Permanent categories allow you to consolidate school curriculum and gain more in-depth knowledge.
This way the children get a lot additional information, increasing their knowledge and intelligence. In addition, children's “Murzilka” offers reading the works of the best writers and poets of our time.
For exciting leisure, there are children's jokes and counting rhymes, games and coloring books, rebuses and puzzles. And for lovers of creative leisure, homemade designs await you.
The children's magazine "Murzilka" has a lot of advantages.
Murzilka magazine is the right choice for caring parents. It will allow you to learn a lot of new things and increase your intelligence, cultivate sensitivity and responsiveness, learn good manners, and communicate with peers and adults. Spending your free time reading is a wonderful habit that contributes to the harmonious development of a person.
On May 16, 1924, the first issue of the magazine for children from 6 to 12 years old, “Murzilka,” was published in the Soviet Union. The history of Murzilka began in 1879, when the Canadian...
On May 16, 1924, the first issue of the magazine for children from 6 to 12 years old, “Murzilka,” was published in the Soviet Union.
The history of Murzilka began in 1879, when the Canadian artist Palmer Cox created a series of drawings about Brownies - these are the closest relatives of brownies, small people, about 90 centimeters tall, similar to little elves with brown unkempt hair and bright colors. blue eyes (due to Brown their hair is called “brownie”). Their skin is predominantly light, although the color of a brownie's skin depends on where they live and what they eat. These creatures come at night and finish what the servants did not finish. But this was just a test before the real creation of those images that would later win over the public. So in 1881, exactly those same brownies appeared in the magazine “Wide Awake”, which began a triumphant march, first across America, and then throughout the world.
In February 1883, Cox began publishing in the New York children's publication St. Nicholas" pictures with brownies, accompanied by poems about the adventures of the heroes. And four years later, the first book “The Brownies, Their Book” was published, which contained a collection of stories about brownies and which sold a million copies. In total, Palmer Cox created 15 original brownie books before his death in 1924.
By the way, Cox’s brownies did not have names as such - they were called by characteristic nicknames, such as Chinese, Sailor, Dandy, Jockey, Russian, Hindu, King, Student, Policeman, Canadian, etc.
Murzilka and his friends first appeared on the pages of the magazine “Sincere Word” in 1887 in the fairy tale “A boy as big as a finger, a girl as big as a nail.” The author of this tale was the famous writer Anna Borisovna Khvolson, and the illustrations were drawings by the artist Palmer Cox. The first edition of the book “The Kingdom of Little Ones,” including 27 stories and 182 drawings, was published in 1889, followed by reprints in 1898, 1902 and 1915.
In 1913, a book with drawings by Palmer Cox and Russian text from Anna Khvolson “New Murzilka. Amazing Adventures and the wanderings of the little forest men." Anna Khvolson made a free translation of Cox's texts, giving the characters other names: Maz-Permaz, Dedko-Borodach, Znayka, Dunno, clever Skok, hunter Mick, Vertushka, Chinese Chi-ka-chi, Indian Ski, Mikrobka, American John, etc. P. Well, actually Murzilka, on whose behalf the story was told.
And it turned out that Murzilka is incredibly similar to the well-known Nosovsky Dunno. He is the same braggart, lazy and troublemaker, who, because of his character, constantly gets into various troubles. However, these two heroes also have differences. Murzilka, for example, is a real dandy. A tailcoat or long coat, a top hat, boots with narrow toes, a cane and a monocle are indispensable components of his everyday costume. So Dunno’s predilection for defiantly bright colors in clothes would have unpleasantly struck Murzilka’s refined taste. But this difference is purely external. Although the character of Murzilka or, as his friends call him, “The Empty Head” is quite similar to the character of his literary descendant, Dunno is written out in much more detail and volume. And if Khvolson’s hero is deliberately caricatured and conventional, then Nosov’s is a lively, charming and recognizable boy. Therefore, probably, readers only laugh at the careless and boastful Murzilka, but they often sympathize with Dunno, sincerely pity and love him.
So, the name Murzilka was born in 1913. Two years later, Anna Khvelson released an independent work called “The Kingdom of Little Ones. The Adventures of Murzilka and the Forest Men,” which was illustrated by the works of the same Palmer Cox, but since it was not included in the official Brownie bibliography, it can be considered a remake. He was a boy in a black tailcoat, with a huge white flower in his buttonhole, in a silk top hat and long-toed boots that were fashionable at that time... And he always had an elegant cane and monocle in his hands. At the end of the 19th and beginning of the 20th centuries, these tales were very popular. Murzilka himself, according to the plot of the fairy tale, constantly found himself in some kind of funny stories. But after the 1917 revolution, the book was no longer published, and everyone forgot about this hero.
The next time Murzilka was remembered was in 1924, when a new children's magazine was created under the Rabochaya Gazeta. One of the founders remembered this name and it was accepted almost unanimously. But don’t put a brownie on the cover! Therefore, Murzilka became a red mongrel puppy who accompanied his owner, the boy Petka, everywhere. His friends also changed - now they were pioneers, Octobrists, as well as their parents. However, the puppy did not exist for long - he soon disappeared, and Petka subsequently disappeared from the pages of the magazine.
Traditionally it is believed that some furry creature yellow color was born by the artist Aminadav Kanevsky at the request of the editors in 1937. However, back in the 50s, Murzilka was a small man wearing an acorn hat on his head instead of a beret. He appeared like this in several cartoons, the last of which, “Murzilka on Sputnik,” was created in 1960. It was this beret that later became an indispensable attribute of Murzilka, when it turned yellow and overgrown. Soon other heroes began to appear in this magazine - the evil sorceress Yabeda-Koryabeda, talking cat Shunka, Soroka-Balabolka, Sportlendik and Ladybug. All these characters became the hosts of the main sections of the magazine - funny and entertaining stories, curiosity questions, a sports page, stories about nature.
The best children's writers were published on the pages of Murzilka: Samuil Marshak, Korney Chukovsky, Sergei Mikhalkov, Boris Zakhoder, Agnia Barto. “Murzilka” instilled in the little ones a love of learning with the help of bright pictures, interesting plots and playful rhymes. In 1977 - 1983. The magazine published “A detective-mysterious story about Yabeda-Koryabeda and her 12 agents” (author and artist A. Semenov) and its continuations. Often the magazine took on topics that were far from children's. For kids who had only recently learned to read, “Murzilka” talked about the conquest of space, the construction of the Dnieper Hydroelectric Power Station, the 1980 Olympics, and even explained the ideology of the party - “To the Octobrists about Communists.”
The magazine "Murzilka" is still published. It is listed in the Guinness Book of Records as the “longest-running children's magazine.”
Few people know that the magazine owes its existence to the Canadian artist and writer Palmer Cox. IN late XIX he released a series of poems about the small people of the Brownies. And a little later, the Russian writer Anna Khvolson, inspired by the works of Cox, created her own series of stories, where the main character was Murzilka - a little man in a tailcoat and with a monocle.
In 1908, its popularity was quite large, and the editors of the publication “Dushushevnoye Slovo” began to publish an appendix - the newspaper “Murzilka Magazine”.
In the twenties, this publication turned into an independent magazine, but it was necessary to abandon the “bourgeois” image of the main character. Murzilka turned into an ordinary puppy with a good-natured smile, living with Petya and understanding the world. He flew on hot-air balloon, traveled with pioneers, slept in the same cage with a polar bear, etc.
In the thirties, thanks to the artist Aminadav Kanevsky, Murzilka acquired the image in which he has survived to this day, although somewhat modified - a yellow puppy in a red beret, a striped scarf, with a postman's bag and a camera.
At the end of the thirties, Murzilka disappeared from the pages of the publication and appeared only during the war years in the form. The magazine called for help in the military cause, talked about exploits and much more. When the war ended, the familiar yellow puppy returned again. At this time, S. Marshak, S. Mikhalkov, V. Bianki, K. Paustovsky, M. Prishvin, E. Schwartz and others began to be published on the pages of the publication.
During the Thaw period, the magazine's circulation grew to crazy numbers - about five million copies were published. Along with this, talented authors appeared - A. Barto, V. Dragunsky, Y. Kazakov, A. Nekrasov, V. Astafiev, etc. In addition, educational material began to appear in the magazine - the heading “Our Favorite Artists”, a section on travel “ Following the sun”, etc.
In the seventies, thematic issues dedicated to rivers, fairy tales and other areas began to be published. Works by foreign authors also began to appear - Otfried Preusler, Donald Bissetga, Astrid Lindgren, Tove Jansson.
During perestroika, a competent editor, Tatyana Filippovna Androsenko, began to manage the magazines. It was thanks to her that the publication did not sink into obscurity. The circulation fell, printing houses refused to print it, but all these problems were solved. New authors even began to appear.
Currently, “Murzilka” is a modern glossy publication that has not deviated from its traditions - the search for new young talented authors, high quality products, educational and entertaining materials for primary schoolchildren.
Municipal autonomous educational institution
« Average comprehensive school No. 7"
city of Solikamsk, Perm region
Children's magazine "Murzilka".
Research project.
Completed :
Kuznetsov Alexey
student 3 "B" class
MAOU secondary school No. 7
Head of work:
Shishkina Galina Anatolevna
teacher primary classes
Solikamsk 2013
Introduction………………………………………………………...3-4
Historical facts
General information about the magazine “Murzilka”…...……………………..5
History of the creation of the magazine……………………………………………………….6-7
What did the magazine look like in the past……..……………………………8
What does the magazine look like now………………………...9-10
Organization and conduct of research…….…………………...11-13
Conclusion………………………………………………………14
5.List of resources used.…………………………………...15
Introduction.
In literary reading lessons we get acquainted with the works of various writers and poets, as well as with their lives and works. The main source of information is books. We'll start looking at this topic soon
"Children's magazine - Murzilka." I love reading magazines, but I haven’t come across the magazine “Murzilka” yet. I wanted to know more about him. To do this, I compiled a series of questions on a topic that interests me:
What does the magazine look like?
What year has it been published?
Who is Murzilka?
Why is he interesting?
I set before myselftarget :
find out - modern children read the magazine “Murzilka”.
Tasks:
learn to use reference books;
master the skills of conducting research work;
find out - there is a magazine “Murzilka” in the libraries of our city and modern children read the magazine.
Research methods:
study of literary sources;
student survey;
conversation with librarians.
Significance of the work:
teach schoolchildren to treat literary sources with care;
instill in them the skills of working with additional journalistic sources;
expand knowledge about the magazine.
Expected results:
learn the history of the magazine's creation;
Let’s find out its significance for students;
Let's generate interest in the magazine.
2.Historical facts.
General information about the magazine "Murzilka".
« Murzilka" popular children's
literary and artistic magazine. The magazine is published once a month, with a circulation of 85,000 copies. Published since May 16, 1924 and addressed to children from 6 to 12 years old. Over the 88 years of existence of the beloved children's magazine, its publication has never been interrupted. In 2012, the magazine was included in the Guinness Book of Records as “Murzilka” - the children's magazine with the longest period of publication.
History of the magazine's creation .
Story Murzilkibegan in 1879, when Canadian artist Palmer Cox created a series of drawings about brownies - these are the closest relatives of brownies, small people, about 90 centimeters tall, with unkempt brown hair and bright blue eyes (because of the brown color of their hair they are called " brownie"). These creatures come at night and finish what the servants did not have time to do. They began a triumphal march, first across America, and then throughout the world. They came to Russia thanks to the famous writer Anna Khvolson, who freely translated Cox’s texts, giving the characters different names. This is how the name Murzilka was born.
In 1913, a book with drawings by Palmer Cox and Russian text from Anna Khvolson “New Murzilka. Amazing adventures and wanderings of little forest people”, where the main character was Murzilka.
E 
it was a boy in a black tailcoat, with a huge white flower in his buttonhole, wearing a silk top hat and long-toed boots that were fashionable at that time. He also always had an elegant cane and monocle in his hands. At the end of the 19th and beginning of the 20th centuries, these tales were very popular. Murzilka himself, according to the plot of the fairy tale, constantly found himself in some funny stories. But after 1917, everyone forgot about this hero. The next time Murzilka was remembered was in 1924, when a new children's magazine was created under the Rabochaya Gazeta.
What the magazine looked like in the past.
IN 
Last time it was a children's monthly magazine. It was designed for primary schoolchildren and senior kindergarten students. The main task of “Murzilka” was to educate children in the spirit of patriotism, camaraderie, and respect for work. The magazine published stories, poems, fairy tales, essays and pictures about the work of people and the heroic past of the Motherland. In a lively, entertaining and accessible form told children about the history of the country, labor, nature, school life, etc.
Famous literary and artistic figures participated in the creation and work of the magazine. The best children's writers were published on the pages of “Murzilka”: , , , , , , , , , , and others.
Murzilka became a red mongrel puppy who accompanied his owner, the boy Petka, everywhere. His friends also changed - now they were pioneers, Octobrists, as well as their parents.
What does the magazine look like now?
ABOUT 
However, the puppy did not exist for long - he soon disappeared, and Petka subsequently disappeared
from the pages of the magazine and in 1937, the famous artist Aminadav Kanevsky created a new image of Murzilka - a kind of fluffy yellow creature, which, having undergone some changes, has survived to the present day. Since then, the symbol of the children's publication “Murzilka” has been a yellow fluffy character wearing a red beret and scarf. And the kids really like it. Currently, the magazine publishes works by contemporary children's writers, including foreign ones. The main difference between Murzilka is its high-quality children's literature. Fairy tales, stories, children's stories, plays, and poems are published here. Its main authors are modern talented writers, artists and classics of children's literature. Often the authors of the magazine are the readers themselves.
The modern “Murzilka” is a full-color glossy publication, as before, full of interesting, educational materials on topics that attract not only young readers, but also their parents. With a variety of topics and interesting presentation, the magazine strives to satisfy the ever-growing demands of its readers. Many materials are not only informational in nature, encourage creativity, but also develop useful skills. Materials supplementing the program are also published here. primary school, for example: the Russian language (“Walks with Words”), the surrounding world (flora and fauna of the planet), labor (achievements of science and technology in the headings), physical culture
(“Champion”), life safety (“Safety School”), visual arts(“Let's go to the museum”, “Art gallery”).
Each issue of "Murzilka" contains games, puzzles, rebuses, crosswords, coloring books and several homemade constructions.
There are topics that are not exhausted by publication in several issues, but continue for a longer time. This is the Murzilka Art Gallery. “Gallery” introduces reproductions of paintings - masterpieces of domestic and world painting, the life and work of artists. Stories about them and reproductions of paintings are printed on tabs, you can cut them out and collect your own art collection.
Interesting not only for children, but for the whole family are “Murzilka’s advice”, “Murzilka’s Adventures”, homemade products, competitions, quizzes, which provide not only interesting information, encourage creativity, but also develop useful skills.
3.Organization and conduct of research.
Materials and equipment: questionnaire with questions for children, pen.
Our study was carried out at MAOU Secondary School No. 7, Solikamsk. Using a survey method, in which children from grades 4a, 4b, 3a, 3b, 3c, 2a, 2c took part, we found out what modern children prefer to read and whether they read the Murzilka magazine.
Children were asked to answer the following questions:
What magazines do you read? (Murzilka, other magazines)
We entered the results of the survey in Table No. 1.
Number of children1 question
Question 2
Question 3
Yes
No
books
magazines
magazines and books
Murzilka
Other magazines
room 20
room 21
room 19
room 29
room 27
room 22
total
6kl.
140 hours
115 hours
25 hours
32 hours
69 hours
39 hours
19:00
121 hours
Conclusion.
Based on the results of the survey, the following conclusions can be drawn: a total of 140 children were surveyed - primary school students, 115 of them like to read, 25 people do not like to read. Mostly children read magazines – 69 people. Murzilka magazine is known and read by 19 people, the rest of the children prefer to read other magazines: Fidget, Spiderman, Kolobok, Comics, Winx, Yeralash and others. Thus, modern children love to read magazines; 19 people read the Murzilka magazine, which is 13.5% of the children surveyed. This suggests that Murzilka is an unpopular magazine among children.
There is a magazine called Murzilka in the libraries of our city. Target: Find out there is a magazine in the libraries of our city and children take it to read.
Materials and equipment: questions for librarians, pen, notepad.
Our research was carried out in the libraries of the city of Solikamsk: library of MAOU secondary school No. 7, library of MAOU secondary school No. 9, Central children's library, library of the Klestovka microdistrict. Using a survey method, we found out that there is a Murzilka magazine in the libraries of our city and children take it to read.
We asked librarians the following questions:
Is there a Murzilka magazine in the library? (Not really)
What year is it issued from?
Is he coming this year? (Not really)
Do children take it for reading? (Not really)
We entered the survey results in table No. 2.
KoptyukhovaLarisa
Vasilevna
2000
often
MAOU secondary school No. 9
No
Central Children's Library
Marina Nikolaevna
1997
rarely
Library of the Parkovy district
Mareshkina Natalia Alexandrovna
2006
rarely
TOTAL
Conclusion:
Based on the survey results, the following conclusions can be drawn: the Murzilka magazine has been available in the libraries of our city since 1997, but this year, 2013, the magazine is subscribed only to the Central Children's Library. Children are interested in the magazine, but rarely take it to read. Thus, our research has confirmed that modern children read the Murzilka magazine very rarely or are not interested in it at all.
4. Conclusion.
During my work, I acquired useful skills: I learned to use reference books, conduct research, and analyze the results. While studying reference literature, I learned many interesting facts about the Murzilka magazine.
5.List of resources used.
